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Appalachia resides in the American imagination at the intersections of race and class in a very particular way, in the tension between deep historic investments in seeing the region as "pure white stock" and as deeply impoverished and backward. Meredith McCarroll's Unwhite analyzes the fraught location of Appalachians within the southern and American imaginaries, building on studies of race in literary and cinematic characterizations of the American...
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A narrative of the making of the classic film discusses its production in the isolated wilds of Texas, the achievements of director George Stevens and other key contributors, and how the movie reflected America's rise as a superpower and the flowering of Texas culture as mythology.
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Immensely popular and prolific, Harold Lloyd sold more movie tickets during the Golden Age of Comedy than any other comedian. From Coney Island to Catalina Island, and from Brooklyn to Beverly Hills, Lloyd's movies captured visions of silent-era America unequaled on the silver screen.
A stunning work of cinematic archeology, Silent Visions describes the historical settings found in such Lloyd classics as Safety Last!, Girl Shy,
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"Many of American cinema's most defining movies have roots in the South. Be they films that excite (No Country for Old Men), amuse (My Cousin Vinny), or disturb (Deliverance), Southern movies remain some of the most evocative in modern filmmaking. The South Never Plays Itself examines the historical and cultural legacy of the South and the silver screen, a relationship as tangled and inextricable as Spanish moss. From the racist propaganda of The...
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"For more than three decades, Joel and Ethan Coen have produced some of the most unique and thought-provoking works in modern cinema. In broad comedies such as Raising Arizona, violent thrillers like No Country for Old Men, and black comedies such as Fargo, the filmmakers have offered brilliant takes on a variety of film genres. One of the most distinctive features of their movies is their skewed view of America itself. In The Coen Brothers' America,...
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For this edition of her classic study of the feminine role in film, Molly Haskell has written a new chapter addressing recent developments in the appearance and perception of women in the movies.
"An incisive, exceedingly thoughtful look at the distorted lens through which Hollywood has historically viewed women. It is a valuable contribution not just of film criticism but to a society in which the vital role of women is just beginning to emerge."--Christian...
8) The hero
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"In his first work of nonfiction, the creator of the multimillion-selling Jack Reacher series explores the endurance of heroes from Achilles to Bond, showing us how this age-old myth is a fundamental part of what makes us human. He demonstrates how hero stories continue to shape our world - arguing that we need them now more than ever. From the Stone Age to the Greek Tragedies, from Shakespeare to Robin Hood, we have always had our heroes. The hero...
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Gift Guide 2023: For the Fashionista
HPL Black History Month - Adult Nonfiction 2024
Staff Picks - December 2023
Upcoming Author Event Books
HPL Black History Month - Adult Nonfiction 2024
Staff Picks - December 2023
Upcoming Author Event Books
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"Career-spanning book by the Oscar-winning costume designer Ruth E. Carter"--
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"Fun City Cinema' gives readers an in-depth look at how the rise, fall, and resurrection of New York City was captured and chronicled in ten iconic Gotham films across ten decades: The Jazz Singer (1927), King Kong (1933), The Naked City (1948), Sweet Smell of Success (1957), Midnight Cowboy (1969), Taxi Driver (1976), Wall Street (1987), Kids (1995), 25th Hour (2002), and Frances Ha (2012). A visual history of a great American city in flux, Fun City...
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Our story begins in 1902, at the Brookhants School for Girls. Flo and Clara, two impressionable students, are obsessed with each other and with a daring young writer named Mary MacLane, the author of a scandalous bestselling memoir. To show their devotion to Mary, the girls establish their own private club and call it the Plain Bad Heroine Society. They meet in secret in a nearby apple orchard, the setting of their wildest happiness and, ultimately,...
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From its Broadway debut to the Oscar-winning film to countless amateur productions, West Side Story is nothing less than an American touchstone--an updating of Shakespeare located in a vividly realized, rapidly changing postwar New York. That vision of postwar New York is at the heart of Julia L. Foulkes's A Place for Us. A lifelong fan of the show, Foulkes became interested in its history when she made an unexpected discovery: parts of the iconic...
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Communicate more effectively about science-by taking a page from Hollywood and improving your storytelling skills.
Ask a scientist about Hollywood, and you'll probably get eye rolls. But ask someone in Hollywood about science, and they'll see dollar signs: Moviemakers know that science can be the source of great stories, with all the drama and action that blockbusters require.
That's a huge mistake, says Randy Olson: Hollywood has a lot to teach...
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Vanishing Streets reveals an American writer's twenty-year love affair with London. Beguiling and idiosyncratic, obsessive and wry, it offers an illustrated travelogue of the peripheries, retracing some of London's most curious locations. As J. M. Tyree wanders deliriously in "the world's most visited city," he rediscovers and reinvents places that have changed drastically since he was a student at Cambridge in the 1990s. Tyree stumbles into the ghosts...
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Taking you on from the earliest feature films to today, “Colors of Film” introduces 50 iconic movies and explains the pivotal role that color played in their success.
The use of color is an essential part of film. It has the power to evoke powerful emotions, provide subtle psychological symbolism and act as a narrative device.
Wes Anderson's pastels and muted tones are aesthetically pleasing, but his careful use of color also acts as a shorthand...
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"WE SEE EACH OTHER is a personal history of trans visibility since the beginning of moving images. A literary reckoning, it unearths a transcestry that's long existed in plain sight and in the shadows of history's annals, and further contextualizes our present moment of increased representation. The films and television shows that Tre'vell covers include: Midnight In The Garden Of Good And Evil, Psycho, Holiday Heart, Boy's Don't Cry, America's Next...
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"From Roxane Gay comes this collection of essays spanning politics, criticism, and feminism from one of the most-watched young cultural observers of her generation. 'Pink is my favorite color. I used to say my favorite color was black to be cool, but it is pink--all shades of pink. If I have an accessory, it is probably pink. I read Vogue, and I'm not doing it ironically, though it might seem that way. I once live-tweeted the September issue.' ...
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Muscles, six-pack abs, skin, and sweat fill the screen in the tawdry and tantalizing peplum films associated with epic Italian cinema of the 1950s and 1960s. Using techniques like slow motion and stopped time, these films instill the hero's vitality with timeless admiration and immerse the hero's body in a world that is lavishly eroticized but without sexual desire. These "sword and sandal" films represent a century-long cinematic biopolitical intervention...
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